(This interview originally appeared on GeekDad here.)
When it comes to comics, it’s not often that I’m immediately taken in and captivated by an ongoing series. It usually takes a few issues for the creative team to find its groove and for me to find something worth latching on to.
Wayward – from writer Jim Zub, artist Steve Cummings, and Image Comics – burst onto the scene last year, and from the very first issue, I was hooked. The story, often described as “Buffy in Japan,” was smart and intriguing. The art was phenomenal. And the series wasted no time in becoming fantastic. From page 1, Zub and Cummings felt completely at home in the world they were creating.
That comfort and confidence was evident on every page – every panel – and Wayward quickly became one of my favorite series.
The story follows half-Irish, half-Japanese teenager Rori Lane as she adjusts to her new life in Tokyo with her mother. Things don’t exactly go according to plan, though. Almost immediately, she’s attacked by mythical monsters no one else can see, discovers she suddenly has a superpower, and falls in with a small band of teenage “misfits” who possess other incredible powers.
This is an original superhero story without the spandex, a coming-of-age story that blends ancient Japanese mythology with modern Tokyo, and a good ol’ fashioned monster tale.
It’s also an epic in the making, and I highly recommend it.